Enric Ansesa’s works – emphatic, sensitive, with deep aesthetic harmony – remain constant in their use of black. A black that goes beyond light, a black that turns into energy and, at the same time, into space. The constructivist compositions configure dialectics of sign and gesture, often starkly minimalist. This rigorously conceptual work is also seen in the installations as the materialization in space of the artist’s approach. The objectual sculpture is a conceptualisation of retrieved objects, often de-contextualised from their original use or function, in which ideas are materialised.